Amberlin Hsu, a former dance student in NTUA in Taiwan, and a current fourth-year drama student in the U of S. She has been in different parts of theatre production, and specifically focusing on designing, choreographing, and stage-managing. Recent costume design credits: Displaced for Ground Cover Theatre, Madama Butterfly for Saskatoon Opera Company, Our Town and Vernon God Little for Greystone Theatre, and The Beggar’s Opera for U of S Music department. Recent lighting designed credits: Coram boy, and co-design for Vernon God Little, Out Town, and The Beggar’s Opera. Remaining Silence and O are two small projects she has done in the U of S. Amberlin also works as wardrobe assistant in the U of S department of drama, and Shakespeare on the Saskatchewan in 2014 and 2015.
I love the way the story is so multi-layered. You could go back and see this play again, once you know where the twists and turns are, and get even more out of it than you did the first time.
Johnna is delighted to be directing for Live Five twice this season, having started in September with Reasons to be Pretty (Fire in the Hole/Live Five). Recent credits include The Taming of the Shrew (Shakespeare on the Saskatchewan; SATAward, Achievement in Direction). Johnna is a two-time recipient of Vancouver’s Jessie Richardson Awards for Outstanding Direction and Outstanding Production (The Merry Wives of Windsor, Bard on the Beach 2013, and The Triumph of Love, Blackbird Theatre 2008). She is proud to have co-founded several Canadian theatre companies, including Vancouver’s Bard on the Beach Shakespeare Festival. Next, she will direct for Drayton Entertainment in Ontario.
This show immediately puts us off balance, with its wonderful blend of intrigue, humour, and tension, and never lets up. It’s a piece of writing that really drives, and I believe Saskatoon audiences will be talking about this story long after they leave the theatre.
Chris is thrilled to have worked on The Clockmaker, his second Live Five show and first as a sound designer! Chris is a BFA-Acting graduate from the University of Saskatchewan. He has designed and composed for various productions in the past. Sound credits: Saskatchewan Outdoors (Embrace Theatre/Saskatchewan Provincial Parks); Dr. Frightful Presents: DEAD AIR (Neverending Highway Productions); Bottome’s Dreame (Embrace Theatre). Performing credits: It’s A Wonderful Life (Persephone Theatre); Candide; Carmen (Opera Nuova); Stop Kiss (Embrace Theatre/Live Five); The Composer is Dead (Saskatoon Symphony); Into The Woods (Greystone Theatre). Upcoming: Two Corpses Go Dancing (Two Unruly Gentlemen/Live Five), and 25th Annual Putnam County Spelling Bee (Persephone Theatre).
What Jenna Says When People Ask Why They Should See The Clockmaker:
You should see The Clockmaker for the cast! They were fantastic at the first reading and will be fantastic on show day.
What Excites Jenna most About The Clockmaker:
The characters in The Clockmaker offer the most excitement for me. They are subtle, but very rich.
Jenna has had a wonderful time working with such a talented group of artists. Recent credits: Set design for Stop Kiss (Embrace Theatre/Live Five), 2014 SaskTel Youth Tour (Persphone Theatre), La Chambre Blanche (La Troupe du Jour), and A Man A Fish (Persephone’s Deep End Series) for which she won a Saskatoon and Area Theatre Award. Upcoming : Set design for La Raccourcie (La Troupe du Jour). Special thanks to Grahame Kent and Charlie Peters for creating opportunities for Saskatoon artists.
It’s a script that keeps you guessing. It is, at turns, romantic, funny, scary, and fascinating. It’s well-written. But it’s also performed by an amazing cast, supported by a creative team of hugely talented folks. That’s a great combination!
Charlie has a BFA in Acting from the University of Saskatchewan but works in theatre not only as an actor but also as a stage director, playwright, dramaturge, lighting designer, and educator. In 2013 he won the SATAward for Outstanding Emerging Artist and was nominated in 2014 in the Outstanding Direction category for Stop Kiss (Embrace Theatre/Live Five). He has recently worked at Live Five, Persephone Theatre, Saskatoon Opera, the Saskatoon Fringe, and with the Saskatchewan Playwrights Centre. He is the founding director of Embrace Theatre.
Upcoming: Lighting Designer, Two Corpses Go Dancing (Two Unruly Gentlemen/Live Five); Director, Hansel and Gretel (Saskatoon Opera in Schools).